Guardians of Grail

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Well of course your whole book is important. But what makes the beginning more important than the rest of it? That's where you catch the reader's attention. The first few pages of the book must hook your reader, hold their interest and keep them reading. If it doesn't, it will end up back on the shelf.
You can accomplish a great beginning with four easy tips:
1. Establish who, what, when, where and why.
2. Ascertain what kind of story you are writing.
3. Let the reader care about the character(s).
4. Set the tone of your book from the beginning.
Let's take a closer look:
1. ESTABLISH WHO, WHAT, WHEN, WHERE AND WHY.
Fiction writing is no different from any other writing. You must answer all of the "w" questions right up front as much on the first page as possible without being obvious. Let's look at each one:
WHO: Give the character's name right up front to establish from whose point-of-view (POV) the [url=http://www.vivid-host.com/barbour.htm]barbour uk outlet[/url] story is being told. In first-person that is "I". In third-person you want the name to reflect the time period, the personality of the character, and the tone of your book. Think about how you want the reader to relate to the character.
In my current work [url=http://www.achbanker.com/home.php]hollister[/url] in progress, my heroine's name is Lizzie Cantrell. I point out in the story that Lizzie is not short for Elizabeth but that her mother named her after Lizzie in the play, Rainmaker. She is an artist looking for adventure. The hero, however, is Phillip E. Van Dyke. He insists that his employees call him Mr. Van Dyke, and if they call him Phil, he is extremely upset. He has been injured and wants to keep others at a distance. By having everyone use his formal name, he believes he can keep his emotions locked away.
Choosing the right name can greatly impact how your readers relate to your characters.
WHAT: In order to create a relationship between your character and the reader, you need to give clues about what the character hopes to gain or lose based on their goals. In the story above, Phillip keeps pulling up his turtle-neck. I suggest there is something wrong, but I don't give it all away yet. You need to suggest what is going to happen and make the reader curious to find out.
WHERE AND WHEN: Let the reader know up front in as little detail as possible where your book is taking place and what time period. That doesn't mean stating the exact date, although in some situations it may work well. In contemporary novels, any detail about modern conveniences is usually sufficient. For a historical, use something that signifies the time like an [url=http://www.gotprintsigns.com/jordanpascher/]air jordan pas cher[/url] event, war, invention, etc.
WHY: Again we don't want to give the story away, but this is where you reveal what drives your character and why. You just need to give a clue as to why they are pursuing what they are to let the reader know more is to come.
This may sound complicated but it's not. Here is an example from "A Novel Approach" by Kathy Jacobson that shows all of this important information in just [url=http://www.gotprintsigns.com/hollisterpascher/]hollister france[/url] a few short sentences:
Liz had nothing against sleeping with men, but she never again wanted to be married to one. After three years of freedom, even Jeff's wealth didn't look like a good trade-off. She smiled at him across the breakfast table and handed back the diamond ring she'd almost cracked a tooth on.
"It was clever of you to hide [url=http://www.lcdmo.com/hollister.php]hollister co france[/url] this in my muffin, but I really can't accept it."
Here's the [url=http://www.gotprintsigns.com/abercrombiepascher/]abercrombie pas cher[/url] summation: Who - Liz. What - she's declining a marriage proposal. Where - her breakfast table. When - three years after her divorce. Why - she prefers her freedom over wealth. Everything in one neat little paragraph. Wow!
2. ASCERTAIN WHAT KIND OF STORY YOU ARE WRITING.
The next important part of a [url=http://www.msc-sahc.org/moncler.asp]moncler doudoune[/url] beginning is starting with an important action when the character's life changes. A good resource for understanding this is Orson Scott Card's MICE quotient taken from his book, "Characters and Viewpoints". This will affect your beginning in different ways. For MILIEU it would be when the character enters the new environment. If it's an IDEA story, it would be something that affects the story's question. For a CHARACTER story, you would focus on the character's emotional reason for taking an action. With an EVENT story, you begin with the event that pushes the character into a new adventure.
Don't start your book with the character's back story. Start when the event happens that changes the character's life. Back story is very important and can be added throughout the book in interesting ways, but starting out with the character's life story is boring to the reader and you will lose them.
You do, however, want to have your character performing some natural task to make your reader identify with them. Then take them on the journey. If you throw them into the middle of the action too quickly, the reader [url=http://www.1855sacramento.com/woolrich.php]woolrich bologna[/url] is confused about what is happening, who the character is, or why they should even care.
3. LET THE READER CARE ABOUT THE CHARACTER(S).
Make sure you give the reader a reason to relate or like your character. You can accomplish this by making sure your [url=http://www.gotprintsigns.com/hollisterpascher/]hollister[/url] character has goals and their reasons for their choices are clearly stated, especially [url=http://www.gotprintsigns.com/jordanpascher/]jordan pas cher[/url] that first scene. Make sure your scenes are well thought out according to POV. Remember that if you switch POV you lose the tension in the scene. It is important to stay with the opening character long enough for the reader to bond with them.
4. SET THE TONE OF YOUR BOOK FROM THE VERY BEGINNING.
Of course, what genre you pick helps determine the tone you will use to some degree. Is it suspenseful, humorous, or gory? Your writing needs to reflect that. Even your synopsis should reflect the tone of your book. The editor needs to know you can project the same tone that the book will be written in.
Well, that's it. It sounds simple enough and really it is. It takes some thought and practice, but it can be done. Given these [url=http://www.sandvikfw.net/shopuk.php]hollister outlet sale[/url] four tips, you will write [url=http://www.gotprintsigns.com/monclerpascher/]doudoune moncler pas cher[/url] a book that will hook your readers and keep them turning pages. Good luck.

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